The Rise Of Satanism In Urban America
“Hip Hop” in the 21th century has taken the position of heavy metal in the 80’s. To the conscious observer the clear references to “satan” are evident and the indirect references are abundant. From Kayne West to Outerspace hip hop has traversed the boundaries of moral action and life affirming values, it is a realm where moral consciousness is obscured and human being has no worth. Today hip hop celebrates musically and honors poetically idolatry, occultism, illicit sex, theft, drugs, materialism, death, killing and now homosexuality.
Claiming the status of a new global religion as the singer Erika Badu has claimed it is a demonstration and affirmation of the ignorance (jahiliya) of old that was celebrated by “poets of the age of ignorance” who resided in the Arabian pennisula before the emergence of Islam. What hip hop managed today was to universalize the values of heavy metal across ethnic lines making “necrophila” a way of life.
Something many Muslims have a difficulty in facing is that Islam as a notion no longer carries the weight of a transformative concept in hip hop. 50 cent’s claim to recite a “Ghetto Qur’an” is a sign of the triumph of “far fetched ta’wil” and the celebration of supreme “kufr.” The Ghetto Qur’an he refers to is his words put to music making himself a prophet who is giving revelation to the people. This as a theme is not uncommon in hip hop, the claim to prophecy. The task of the da’ee today is how to present the Qur’an as a way to transform the personality molded by hip hop in the 21st century, inspired by the way of satanic being in the world. Lectures and books will not be sufficient to transform the necrophilic personality nor soften the heart inspired by satanic values. What is needed is a righteous patient teacher who imbibes the Qur’an and is aware of the culture of death celebrated by hip hop.